Southern rock is a subgenre of rock music. It developed in the Southern United States from rock and roll and blues, and is focused generally on electric guitar and vocals.
1950s and 1960s –
Origins
Rock music's origins lie mostly in the music of Southerners, and many stars from the first wave of 1950s rock
and roll such as Elvis
Presley, Little
Richard, Bo
Diddley and Jerry
Lee Lewis hailed from the Deep
South. But the British
Invasion, and the rise of folk
rock and psychedelic
rock in the middle 1960s, shifted the focus of new rock music away from the
rural south and to large cities like Liverpool, London, New
York, San
Francisco, and Los
Angeles.
In the late 1960s, traditionalists such as Creedence
Clearwater Revival (from Northern California), and The
Band (Canadian, though drummer Levon
Helm is a native Arkansan) revived interest in the roots of rock music.
1970s – Peak
of popularity
Eventually the spotlight once again turned to bands from the American South. The
Allman Brothers Band out of Macon,
Georgia made their national début in 1969 and soon gained a loyal following. Their blues-rock sound on one hand incorporated long jams informed by jazz and classical
music, and on the other hand incorporated softer elements of country and folk with a Southern feel. The death of guitarist and leader Duane
Allman in 1971 did not prevent them from gaining widespread popular appeal
for the next several years, until internal tensions broke them apart after 1976. Because a certain type of blues music, and
essentially, rock and roll, was invented in the South, Gregg Allman has commented that "Southern rock" is a bit redundant;
it's like saying "rock rock."
The Allman Brothers were signed to Capricorn
Records, a small Macon
outfit headed by Phil
Walden (former manager of Otis
Redding). A number of somewhat similar acts also recorded on Capricorn, including
the Marshall
Tucker Band from South
Carolina, Wet
Willie from Alabama, Grinderswitch from Georgia (and comprised of Allman Brothers' roadies), and the Elvin
Bishop Band from Oklahoma.
Not on Capricorn, but loosely associated with this first wave of Southern rock, were Barefoot
Jerry from Tennessee and the Charlie
Daniels Band from Tennessee.
Indeed it was Charlie Daniels, a big-bearded fiddler with a knack for novelty
songs, who gave Southern rock its self-identifying anthem with his 1975 hit,
"The
South's Gonna Do It Again", whose lyrics mentioned all of the above bands and then asserted: "Be
proud you're a rebel / Cause the South's gonna do it again." A year earlier, Daniels had started the Volunteer
Jam, an annual concert held in Tennessee that would bring together many Southern rock artists in a loose setting. The Winters
Brothers Band from Franklin, Tn. was a band Charlie Daniels
helped to get started with "Sang Her Love Songs", "Smokey Mountain Log Cabin Jones," and more. They still are preforming and
have an annual jam in Nolensville, Tennessee
every year.
In the early 1970s, a different wave of hard
rock Southern groups emerged that emphasized stripped down boogie rhythms, fast
guitar leads derived from heavy
metal, and lyrical themes borrowed from the concurrent outlaw
country movement. Also mentioned in "The South's Gonna Do It", Lynyrd
Skynyrd out of Jacksonville,
Florida dominated this genre until the deaths of lead singer Ronnie
Van Zant and other members of the group in a 1977 airplane crash. After this tragic plane crash members Allen Collins and
Gary Rossington started another band called Rossington-Collins band. Groups such as .38
Special, The
Outlaws, Molly
Hatchet, Blackfoot, Point
Blank and Black
Oak Arkansas also thrived in this genre for a time.
The Allmans Brother's Southern feel came more from the temperament of its music ("Hot
'Lanta", "Little
Martha", interpolations of "Will
the Circle Be Unbroken") than any explicit cultural identification. Phil Walden, the Allman Brothers,
and other Capricorn artists had also played a part in Jimmy
Carter's successful, unity-based run for the presidency; Carter himself was an avowed Allman Brothers' fan. Even within
the Skynyrd branch of Southern rock, the appearance of Molly Hatchet on the dance-oriented show Solid Gold showed that the Southern rock/metal combination had some universal appeal.
Not all Southern rock artists fit into the above molds. The Atlanta
Rhythm Section and the Amazing
Rhythm Aces were more focused on tight vocal harmonies, Louisiana's
Le Roux ranged from Cajun-flavored Southern boogie early on to a more arena
rock sound later on, while the Dixie
Dregs and Allman Brothers' offshoot Sea
Level explored jazz
fusion.
1980s & 1990s – Continuing influence
Southern rock gained popularity far beyond the American south, and influenced groups as far
flung as Australia's AC/DC, whose original vocalist, Bon Scott was known to wear rebel
flag belt buckles at concerts.
However, by the beginning of the 1980s, with the Allman Brothers and Lynyrd Skynyrd both broken,
with Capricorn Records in bankruptcy, and with Jimmy Carter out of office, much of Southern rock had become thoroughly enmeshed
into corporate arena
rock. A Southern rock group which began to also gain popularity during this
time was Doc
Holliday. With the rise of MTV, New
Wave, and glam
metal, most surviving Southern rock groups were relegated to secondary or regional
venues. Bands such as Better
Than Ezra, Drivin
N Cryin, Cowboy
Mouth, Dash
Rip Rock and Third
Day emerged as popular Southern bands across the Southeastern United
States during the 80's and 90's.
One notable exception was Texas's ZZ
Top, who had started in 1970 and were the one other band mentioned in "The
South's Gonna Do It." In the 1980s, they added slick synthesizer production to their boogie blues sound, and skillfully used music
videos to achieve great popularity. There were occasional hits by groups such
as the The
Georgia Satellites as well.
During the 1990s, the Allman Brothers reunified and became a strong touring and recording
presence again, and the jam
band scene revived interest in extended improvised music (although the scene
also owed much to the Grateful
Dead, a group that relied heavily on Southern music traditions). Incarnations
of Lynyrd Skynyrd also made themselves heard. Hard rock groups with Southern rock touches such as Jackyl renewed some interest in Southern rock. Classic
rock radio stations played some of the more familiar 1970s works,
and Charlie Daniels's Volunteer Jam concerts were still going.
Even the grunge music scene was influenced in some measure by Southern rock. Songs such
as Pearl
Jam's "Dissident" and Stone
Temple Pilots' "Big
Empty" and "Interstate
Love Song" feature guitar licks and arrangements that harken back to
the classic Southern sound.
But some rock groups from the South, such as Georgia's R.E.M., B-52's, Widespread
Panic, and Black
Crowes, Florida's Sister
Hazel, and Mississippi's Blind
Melon, incorporated Southern musical and lyrical themes without explicitly
allying with any Southern rock movement.
2000 to Present –
The resurgence
In the late 90's early 2000s, Detroit rapcore star Kid
Rock began slowing blending in Southern rock tunes next to his in your face
rap tunes in 2001 he included several Southern rock tracks on his Cocky
(album) album and then a full out blitz of it on his 2003 self-titled album. His
major influence has been Lynyrd
Skynyrd, the admiration looks like it goes both ways. Leon Wilkeson
(on the song "American Beauty"-left off Cocky after his death) and Billy Powell (on the upcoming song "All Summer Long") have
joined him on his albums,while they allowed him to cover Free Bird on his 2006 "Live" Trucker album.In 2003 he also joined
them on a remake of Gimmie Back My Bullets. He inducted them into the Rock and Roll Hall of Fame in 2005.
In 2005, Southern rock received new exposure from an unlikely source: singer Bo
Bice took an explicitly Southern rock sensibility and appearance to a runner-up
finish on the massively watched but normally pop-oriented American Idol television program. Fueled by a key early performance of the Allmans' "Whipping
Post" and later performing Skynyrd's "Free
Bird" and, with Skynyrd on stage with him, "Sweet Home Alabama," Bice demonstrated that Southern rock
still had a place in the American music pantheon.
Post-grunge bands such as Saliva, Nickelback, Default, and Theory
of a Deadman, have included a Southern rock feel to their songs and have gone as far
as to cover Southern rock classics like "Simple Man" and "Tuesday's Gone". Metallica has also covered "Tuesday's Gone" on
their Garage
Inc. album.
Additionally, Indie
Rock groups such as Kings
of Leon, My
Morning Jacket, Ocha
la Rocha, Soulhat and The
Steepwater Band combine Southern rock with rawer genres, such as garage
rock, alt-country, and blues-rock.
Much of the old style Southern rock (as well as other classic
rock) has made its transition into the country
music genre, establishing itself along the lines of outlaw
country in recent years. Bands such as Skynyrd and Daniels frequently
play country music venues, and the influence of Southern rock can be heard in many of today's country artists, particularly
male vocalists.
A fairly new and upcoming band known as the The
Avett Brothers are starting to spark the southern rock candle once again. They are from
Greenville, NC which is a
southern heartland state. The The
Avett Brothers are rewriting southern rock. There is a large amount of bluegrass,
country, and rock involved in their music. Southern Rock is changing, but it will not forget its past.
Several of the original early 1970s hard
rock Southern rock groups are still performing in 2007. This list includes Gregg
Allman, Lynyrd
Skynyrd, Molly
Hatchet, Blackfoot, Marshall
Tucker, the French band The
Electric Church, Freedom
and Whiskey, and The
Outlaws. New groups such as Gator
Country, Gov't
Mule, and Dickey
Betts & Great Southern are continuing the Southern rock art form.
Southern metal
Beginning in the 1980s and continuing into the new millennium, bands formed that combined
heavy metal with Southern rock and blues, often including Southern references and imagery. The style began with groove
metal, an offspring of thrash, whose creation is usually credited to Exhorder. The Texas outfit Pantera popularized the style (beginning with 1990s Cowboys
from Hell), though the style's moniker was not often used due to confusion with post-thrash. Southern
Sludgecore, also starting in Louisiana, began a few years later. Some important bands include Eyehategod (from Louisiana), Corrosion
of Conformity (from North
Carolina), Crowbar (from Louisiana), and Down (from Louisiana).
Zakk
Wylde and his Black
Label Society, though hailing from New
Jersey, have strong Southern rock influences and vibes, perhaps advanced by Wylde's
close friendship with Dimebag
Darrell of Pantera. Wylde performed with his original band Pride
& Glory prior to Black
Label Society which had a much heavier Southern influence than his current
band BLS.
Bands like Clutch, Maylene
and the Sons of Disaster, Hillbilly
Orchestra, Nashville
Pussy,Adam
Failing, Rebel
Meets Rebel, Graveyard
BBQ, A
Perfect Murder, Artimus
Pyledriver, Mastodon, Assjack, Superjoint
Ritual, Beaten
Back To Pure, Alabama
Thunderpussy, The
Showdown, Cancer
Bats, Every
Time I Die, Doomriders, Hellyeah, Lynam, Brand
New Sin, One
Dead Three Wounded, Black
Stone Cherry, Norma
Jean, Choke, The
Chariot, He
is Legend, and Chokeslam have a Southern influence that helps bring Southern metal and
hardcore together.
Notable Southern rock songs
"Hold On Loosely" - .38 Special
"Rockin' into the Night" - .38 Special
"Southern Star" - Alabama
"Ramblin Man" - Allman Brothers Band
"Midnight Rider" - Allman Brothers Band
"Jessica" - Allman Brothers Band (won a Grammy in 1995)
"Champagne Jam" - Atlanta Rhythm Section
"Doraville" - Atlanta Rhythm Section
"The Night They Drove Old Dixie Down" - The Band
"Hard to Handle" - Black Crowes
"She Talks to Angels" - Black Crowes
"Train, Train" - Blackfoot
"Turn the Page" - Bob Seger and the Silver Bullet Band
"Jim Dandy" - Black Oak Arkansas
"Devil Went Down to Georgia" - Charlie Daniels Band
"The South's Gonna Do It Again" - Charlie Daniels Band
"Son of the South" - David Allan Coe
"China Grove" - Doobie Brothers
"Black Water" - Doobie Brothers
"Fooled Around and Fell In Love" - Elvin Bishop
"Slow Ride" - Foghat
"Keep Your Hands to Yourself" - Georgia Satellites
"Funk #49" - James Gang
"Sweet Home Alabama" - Lynyrd Skynyrd
"Free Bird" - Lynyrd Skynyrd
"Gimme Three Steps" - Lynyrd Skynyrd
"Simple Man" - Lynyrd Skynyrd
"Can't You See" - Marshall Tucker Band
"Heard It In a Love Song" - Marshall Tucker Band
"Gator Country" - Molly Hatchet
"Flirtin' With Disaster" - Molly Hatchet
"Dreams I'll Never See" - Molly Hatchet
"Jackie Blue" - Ozark Mountain Daredevils
"If You Wanna Get to Heaven" - Ozark Mountain Daredevils
"Amie" - Pure Prairie League
"Ghost Riders (in the Sky)" - The Outlaws
"Green Grass and High Tides" - The Outlaws
"There Goes Another Love Song" - The Outlaws
"Rebels" - Tom Petty & The Heartbreakers
"Southern Accents" - Tom Petty & The Heartbreakers
"Trailer" - Tom Petty & The Heartbreakers
"Sharp Dressed Man" - ZZ Top
"La Grange" - ZZ Top
"Tush" - ZZ Top
"Gimmie All Your Lovin" - ZZ Top
"Cheap Sunglasses" - ZZ Top